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Search resuls for: "Artists Rights Society"


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CNN —Twice a week this spring, a nude performance artist sits inside a small wooden box in a New York gallery waiting to be touched. Courtesy Lévy Gorvy DayanVisitors to Lévy Gorvy Dayan on New York's Upper East Side can interact with the sculpture and performance artist inside during twice-weekly performances this spring. “Yves Klein: The Tangible World” brings together many of the artist’s lesser-seen works. “I wanted to show Yves Klein’s love for the body, and the aliveness that the body represents,” said Dominique Lévy, a co-founder of the gallery, which represents Klein’s estate. “He’s the first artist to really incorporate performance as an artistic act and as a practice,” Lévy said.
Persons: , Yves Klein, , , , “ Yves Klein, Gorvy Dayan, Klein, Dominique Lévy, Lévy Gorvy Dayan, Julian Rigg, Yves Klein’s, ” Klein, ” Lévy, ” Hugo Alexander, Rose, he’s, ” Krause, Lévy, Alexander Organizations: CNN, Lévy Gorvy Dayan Visitors, Artists Rights Society, Marina, Museum of Modern Art, School of Visual Arts Locations: New York, French, New, ADAGP, Paris
Fondation Foujita/Artists Rights Society, New York/ADAGP, Paris/Christie's/Bridgeman Images/Courtesy Barnes FoundationA portrait of Marie Laurencin by Man Ray, 1925. Fondation Foujita/Artists Rights Society, New York/ADAGP, Paris/Bridgeman Images/Courtesy Barnes Foundation"The Woman-Horse (La femme-cheval)," from 1918. Fondation Foujita/Artists Rights Society, New York/ADAGP, Paris/Courtesy Barnes FoundationBut as definitions of femininity have expanded in recent decades, so too has appreciation for Laurencin’s idyllic, women-only world. She often titled her portraits of women “Friends” or “Two Friends,” leaving the exact nature of their intimacy unclear. It’s almost like a radical utopia… a world of women, for women, by women,” Kang said.
Persons: peintre, modèle, Christie's, Marie Laurencin, Man Ray, CNN — Marie Laurencin’s, , Pablo Picasso, Georges Braque —, Simonetta Fraquelli, ” Fraquelli, , Laurencin, Cindy Kang, Barnes, Francisco Goya, Kang, don’t, , Académie Humbert, wasn’t, Rachel Silveri, Adrienne Monnier, airheads, Mademoiselle Chanel, — Picasso, Jean Cocteau, Paul Rosenberg —, Coco Chanel, Maud “ Emerald, Jacques Faujour, Dove ”, Nicole Groult, “ It’s, ” Kang, Natalie Clifford Barney, Gertrude Stein, Berenice Abbott, Otto von Waetjen, Guillaume Apollinaire, Suzanne Moreau, , Musée de, Herve Lewandowski, — Laurencin, Marshal Philippe Pétain, Moreau, Masahiro Takano, Albert C, hasn’t, we’ve Organizations: Foujita, Artists Rights Society, CNN, grays, Barnes Foundation, Palais, Art, Fraquelli, Groult, Museum, Marie, Marie Laurencin Museum Locations: New York, ADAGP, Paris, Philadelphia, Sapphic Paris, Spain, Musée de l'Orangerie, Vichy France, Japan, Tateshina, Japan’s Nagano, Tokyo,
Sacco Chair (1968) by Piero Gatti, Cesare Paolini and Franco Teodoro for Zanotta“In the 1960s, people wanted to find new ways of socializing. I still remember sitting on my first beanbag chair and thinking it was a massive leap of imagination coupled with a new material (polystyrene balls), which is always what pushes design forward.”Image Credit... © 2023 Artists Rights Society (ARS), New York/ADAGP, Paris. Photo: © Christie’s Images Limited 2023Hippopotame II Bar (1978) by François-Xavier Lalanne“Many designers are doing art-furniture today, but the Lalannes were doing it much earlier. It’s playful and Surrealist and yet beautifully crafted — in brass, a metal I’m obsessed with.”Image Credit... Farrar, Straus & Giroux“The Electric Kool-Aid Acid Test” (1968) by Tom Wolfe“I took a couple of acid tabs when I was a kid, and it was super mind-expanding. Wolfe’s writing is, too.”
Persons: Sacco, Piero Gatti, Cesare Paolini, Franco Teodoro, Zanotta “, Xavier Lalanne “, . Farrar, Straus, Giroux, Tom Wolfe “, Organizations: Rights Society, François Locations: New York, ADAGP, Paris
Chanel’s Unexpected CEO Is Reinventing the Company When it came time to hire a new CEO, the luxury fashion house made a surprisingly bold choice in Leena Nair“If somebody told me I would have the chance to do what I’m doing today, I would not have believed them,” Nair says of taking the CEO role at Chanel. Andy Warhol, ‘Chanel,’ 1985, from the Ads series, acrylic and silkscreen ink on canvas, 22 x 22 inches, © The Andy Warhol Foundation for the Visual Arts / Artists Rights Society (ARS), New York / Ronald Feldman Gallery, New York (6)
Persons: Leena Nair, ” Nair, Chanel, Andy Warhol, ‘ Chanel, Ronald Feldman Organizations: Andy Warhol Foundation, Visual Arts, Artists Rights Society Locations: New York
Like many of her contemporaries, Varo fled Europe as war bore down on the continent, arriving in Mexico in 1941. It took more than a decade for her to exhibit her work there, but when she did, she left her mark. Alchemy and artistryDuring her life in Mexico City, Varo bonded with fellow artist Carrington and photographer Kati Horna. Remedios Varo/ARS, New York/VEGAP, Madrid/Art Institute of ChicagoVaro’s sense of humor periodically cuts through in her work. You see that on the surface of her work, with story and material coming together into one unified composition.
Persons: CNN —, Remedios Varo —, , los Remedios Alicia y Rodriga, Uranga —, André Breton, Varo, Juliana, Remedios Varo, Salvador Dalí, Joan Miró, Max Ernst, , Varo’s, “ Remedios Varo, Frida Kahlo, Leonora Carrington, Caitlin Haskell, Tere Arcq, El Juglar, , ” Haskell, Walter Gruen, Carrington, Kati Horna, George Gurdjieff, El, Rodrigo Chapa, Katrina Rush Organizations: CNN, Mexico City, Artists Rights Society, Art Institute of Chicago, Arte Moderno, York’s Museum of Modern, Art Institute Locations: Mexico, Spanish, Paris, Europe, New York, Madrid, Varo’s, Mexico —, United States, El, Mexico City, Venice, Ciencia
CNN —Throughout Evelyne Axell’s short but radical career, the Belgian artist revered the female body in psychedelic hues rendered in gleaming enamel. In 1972, only a handful of years into painting, she died in a car crash and faded into relative obscurity. But such sales for Axell are infrequent, according to Sara Friedlander, Christie’s deputy chairman of post-war and contemporary art. Her stylistic approach — a mix of pop art influences and dreamy surrealist settings — is still underrecognized, according to Morris. “She acts as a historical bridge (between surrealism and pop art),” she said.
CNN —Conservators at the Guggenheim Museum in New York have uncovered a small dog hidden beneath the surface of a Pablo Picasso painting. The image of a charming lapdog wearing a red bow was revealed by museum experts during a technical analysis of the Spanish artist’s painting “Le Moulin de la Galette” ahead of an exhibition of his early works. “Le Moulin de la Galette” depicts a lively scene at the titular venue — a famous Parisian dance hall that was painted by other artists including Pierre-Auguste Renoir. Modifying paintings later became part of Picasso’s regular practice, Barten said, adding that “Le Moulin de la Galette” is now considered one of the earliest examples of this. “Le Moulin de la Galette” is the “centerpiece” of the Guggenheim’s show, said Barten, whose team of conservators also restored the artwork’s surface by removing decades of dirt and non-original varnish.
6 Picasso Shows to See This Year
  + stars: | 2023-04-06 | by ( Gabe Cohn | ) www.nytimes.com   time to read: 1 min
Pablo Picasso’s 1921 painting “Three Women at the Spring” will be shown at the Museum of Modern Art this fall, in one of several exhibitions at American and European museums marking the 50th anniversary of the artist’s death. Credit... Estate of Pablo Picasso/Artists Rights Society (ARS), New York; via The Museum of Modern Art
Picasso: Love Him or Hate Him?
  + stars: | 2023-04-05 | by ( Deborah Solomon | April | ) www.nytimes.com   time to read: +14 min
It is not hugely cool to profess a love for Picasso these days. This is what Picasso’s detractors — like Hannah Gadsby, the Australian comedian and Picasso basher, who will help curate a Picasso show at the Brooklyn Museum opening on June 2 — often miss. Picasso, by contrast, brought the weight of lived experience into his work, even when he was tethered to archetypal subjects. “The Mother” (1901), an early painting by Picasso, shows a view of motherhood purged of Renaissance idealization. The conventional view of the painting holds that the women are “dolled-up cocottes,” as John Richardson glibly put it in his biography of Picasso.
When Mr. Johnson saw the Rothko, titled “Number 207 (Red over Dark Blue on Dark Gray),” hanging above Miles’s sitting area, he asked for it to be flipped upside-down. University of California, Berkeley Art Museum and Pacific Film Archive/1998 Kate Rothko Prizel & Christopher Rothko/Artists Rights Society (ARS), New York
Photo: 2022 The Andy Warhol Foundation for the Visual Arts, Inc./Licensed by Artists Rights Society (ARS), New York/Courtesy of Sotheby’sWhen Andy Warhol’s colossal view of a car accident first came at auction in 1987, the silk-screen sold for $660,000. On Wednesday, bidders got another chance at it—and the work resold at Sotheby’s for $85.4 million. The auction house had said it expected the piece to sell for around $80 million.
On the morning of Nov. 29, 1985, a couple entered The University of Arizona Museum of Art in Tucson, Arizona. Within minutes, "Woman-Ochre" — a painting by the Dutch-American artist Willem de Kooning — was gone. The University of Arizona Museum of ArtAmong Van Auker's purchase was a painting that hung behind the couple's bedroom door, he told CNBC. Badly damagedOnce the museum took possession of the painting, Miller said, the search was on to find a conservator with the expertise required to repair it. When the painting was returned, it was in "very poor condition," said Laura Rivers, associate paintings conservator for the J. Paul Getty Museum.
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